SEARCH RESULTS FOR: Claudio Abbado
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1933–2014 Italian conductor Abbado studied in Milan and Vienna. He first conducted at La Scala, Milan in 1960 and held a number of posts there 1969–86. He was principal conductor of the London Symphony Orchestra 1979–96, music director of the Vienna State Opera 1986–91, and principal conductor of the Berlin Philharmonic Orchestra 1990–2002. A renowned interpreter of Verdi ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Klou’-dyo Mon-ta-ver’-de) 1567–1643 Italian composer Claudio Monteverdi stands as one of the last great composers of the Renaissance and one of the first of the Baroque. He studied composition with the madrigalist Marc’Antonio Ingegneri (c. 1547–92) in his home town of Cremona. When he took his first professional post in his mid-twenties, he had already published six books of music and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1567–1643, Italian Claudio Giovanni Antonio Monteverdi was born in Cremona and began his illustrious career as a choirboy in the town’s cathedral. By the time he was 20, he had already published the first of his eventual nine books of secular madrigals. He was also a skilled composer of motets. Monteverdi’s horizons expanded in 1591 when he joined the ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘Orpheus, a Legend in Music’ L’Orfeo, favola in musica consists of a prologue and five acts – a prolonged performance for its time. Monteverdi used several devices to extend the action of the opera. He wrote recitatives to be performed between the duets, as well as polyphonic madrigals, of which he was a master. Further additions included ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘The Coronation of Poppea’ L’incoronazione di Poppea, composed in 1642, has been called Monteverdi’s greatest opera. It was one of the first operas to be based on history rather than mythology. The action takes place in Rome in ad 65. The eponymous heroine is the mistress and, later, wife of the Emperor Nero. The libretto was by ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1903–91 Chilean pianist Arrau studied at Stern’s Conservatory in Berlin – where he taught 1924–40 – giving his first recital in 1914. He toured Europe in 1918, and gave concerts in Argentina and Chile in 1921. He made his London debut in 1922 and US in 1923. After founding a piano school in Santiago, he moved to New York. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Khovanshchina (‘The Khovansky Affair’), a dark opera, full of conspiracy, gloom and imminent violence, was based on a historical event. In 1682, the future modernizing tsar Peter the Great (1672–1725) was made co-ruler of Russia with his mentally retarded half-brother Ivan V (1666–96). At this time, introducing Greek and Latin practices into the Russian Church was ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘A Masked Ball’ In 1857, Verdi was virtually asking for censorship trouble when he chose Gustavuse III, ou Le bal masqué (‘Gustavus III, or The Masked Ball’) for his next work. In 1792 King Gustavusus III of Sweden had been shot dead at a masked ball in Stockholm. Regicide was a taboo subject and the Neapolitan censors immediately ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1869–1944 English conductor After studying at the Royal Academy of Music and working with opera companies, Wood established the Queen’s Hall Promenade Concerts in 1895. These concerts, now held at the Royal Albert Hall, have become an enduring British tradition. He was noted for his adventurous choice of repertory and his professionalism. Introduction | Modern Era | Classical ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(An’-ton Va’-bern) 1883–1945 Austrian composer Webern was the most orthodox of Schoenberg’s pupils – more rigorous in his exclusive use of serialism than Schoenberg himself – and, after his sudden death (he was accidentally shot by an American soldier), the most influential upon the post-war avant-garde. Even before Schoenberg developed the 12-note system, his pieces tended towards crystalline formal ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Loo-e’-je No’-no) 1924–90 Italian composer Nono studied with Hermann Scherchen (1891–1966) and through him attended Darmstadt, where met Stockhausen and embraced the principles of integral serialism, exploiting them idiosyncratically but powerfully and expressively in Il canto sospeso (‘The Song Unsung’, 1955–6), which sets the words of Resistance fighters killed by the Nazis. Nono’s political commitment was as strongly evident ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Opera, with its unique blend of poetry, drama and music, has come a long way from its humble beginnings in ancient Greek theatre. The grandiose, all-encompassing music dramas of Verdi and Wagner may seem a world away from the era of Aristotle and Plato, but this noble civilization, which held music and theatre in high ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The first known examples of the recorder date from the Middle Ages. It became hugely popular in the Renaissance and Baroque periods and then, surpassed by the concert flute, it largely fell out of use in the professional arena. At the beginning of the twentieth century, however, it was redesigned by Arnold Dolmetsch and subsequently enjoyed a ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

A trombone is a brass instrument sounded by buzzing the lips into a mouthpiece. It is peculiar amongst brass instruments in using a double ‘U’-shaped slide to alter its pitch. The early history of the trombone is confused, mostly due to a lack of clarity in naming instruments. It is generally accepted that the immediate precursor to the trombone was ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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